مقاله‌های لاتین

General

Contadini, A. (2010). The manuscript as a whole (pp. 1-16). Brill.

Elassal, I. (2019). Attributes of Sufis and Dervishes in the Islamic Miniatures with application on manuscripts from XV till XVII centuries. Cuadernos de la Alhambra48, 111-127.

Langer, A. (2019). Safavid Revival in Persian Miniature Painting: Renewal, Imitation and Source of Inspiration. In À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries (pp. 15-27). Brill.

Pinder-Wilson, R. H. (1957). Three Illustrated Manuscripts of the Mughal Period. Ars Orientalis, 413-422.

Seyller, J. (1987). Scribal notes on Mughal manuscript illustrations. Artibus Asiae48(3/4), 247-277.

Soucek, P. P. (2001). Walter Pater, Bernard Berenson, and the reception of Persian manuscript illustration. RES: Anthropology and Aesthetics, 40(1), 112-128.

Uluç, Laie  (1999).  Ottoman Book Collectors and Illustrated Sixteenth Century Shiraz Manuscripts. Revue des mondes musulmans et de la Méditerranée, 87-88, 85-107.

Uluç, Laie.(2000). Selling to the court: late-sixteenth-century manuscript production in Shiraz. Muqarnas, 17, 73-96.

 

Collections

Anet, C. (1912). Exhibition of Persian Miniatures at the Musée des Arts Décoratifs, Paris-I. The Burlington Magazine for Connoisseurs, 9-17.

Gholami, S., & Pouladi, M. (2019). Colophons and Marginal Notes of the Avestan Manuscripts of the Pouladi’s Collection in Yazd. Iranian Studies52(1-2), 3-59.

Gray, B. (1935). Persian miniatures. The British Museum Quarterly, 88-91.

Valentiner, W. R. (1913). The Cochran Collection of Persian Manuscripts. The Metropolitan Museum of Art Bulletin, 8(4), 80-86.


 Special Persian Manuscripts

Bağci, S. (1994). A New Theme of the Shirazi Frontispiece Miniatures: The Dīvān of Solomon. Muqarnas Online, 12(1), 101-111.

Brend, Barbara (1989). Akbar's Khamsah of Amir Khusraw Dihlavi: A Reconstruction of the Cycle of Illustrations. Artibus Asiae 49: 281-315.

Ettinghausen, R. (1955). An illuminated manuscript of āfi-i Abrū in Istanbul. Part I. Kunst des Orients2, 30-44.

Farhad, Massumeh (2001). Searching for the New: Later Safavid Painting and the Suz u Gawdaz (Burning and Melting) by Naw`i Khabushani. Journal of the Walters Art Museum 51: 115-130.

Kühnel, E., & Ackerman, P. (1937). A Bidpai Manuscript of 1343/4 (744 H.) in Cairo. Bulletin of the American Institute for Iranian Art and Archaeology, 137-141.

Meredith-Owens, G., & Pinder-Wilson, R. H. (1956). A Persian Translation of the" Mahābhārata", with a Note on the Miniatures. The British Museum Quarterly, 62-65.

Natif, Mika (2008). The SOAS Anvār-i Suhaylī: The Journey of a 'Reincarnated' Manuscript. Muqarnas 25: 331-358.

Nezhad, M. A., & Attari, A. K. A (2019). The Structural Analysis of Illumination Designs in the Paintings of Ibrahim Mirza’s Haft Awrang. Baghe- Nazar,15(69), 41-54.

Welch, S.C. (1960) The Emperor Akbar’s Khamsa of Niāmī. Journal of the Walters Art Gallery 23: 87-96.

Wilkinson, J. V. S. (1957). An Indian Manuscript of the" Golestān" of the Shāh Jahān Period. Ars Orientalis, 423-425.

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